GOOD
MORNING
WITH ANN
AND NICK
INTERVIEWERS: Nick Owen and Anne Diamond
SUMMARY: UK TV interview.
BROADCAST
DATE: May 1995
RUNNING
TIME:
7 minutes 40 seconds.
KEY: NO=Nick Owen
..........AD=Anee Diamond
..........GP=Gene Pitney
NO: And now he's set to undertake his first
UK tour for several years
AD: Although his list of chart-toppers
included 'Town Without Pity' and '24 Hours From Tulsa', his first
UK number one was in 1989 - when he sang 'Something's Gotten Hold
Of My Heart' with Marc Almond. Here is Gene Pitney in action.
CLIP SEQUENCE: 'Town Without Pity'/'Twenty-Four Hours From Tulsa'/'Something's Gotten Hold Of My Heart' (1989 duet)
NO: And he's here today, Gene Pitney. It's
great to see you.
GP: Hi. Nice to be here.
AD: Hi
NO: An-and hearing that...that more recent
one...What was it like for you when you first got asked to have a
crack at re-recording that?
GP: Well, I was on tour. You mean
'Something's Gotten Hold Of My Heart'?
NO: Yeah.
GP: I was on tour at the time and - to be
honest with ya I almost turned it down. I was tired and I was in
Bristol - I had to come in to London overnight to do the
recording...and I almost said 'nah'...and then I thought about it
and I said 'You know, these are the kind of things that always
work for me - it's so off the wall-'
NO: Mm.
GP: '-in trying something like this that I
gotta go and do it'. So, I- Marc wasn't even in the country at
the time...
NO: (quietly) Yeah.
GP: He was in the States doing promotion, I
think, at the time.
AD: And incredibly that was your first UK
number one.
GP: Yeah. I came-
AD: I can't believe-
GP: -close before, but-
AD: I can't believe '24 Hours From Tulsa'
wasn't number one! I mean, it's one of our-
GP: I think it got to number four, or
something like that.
NO: Well, it's one of the standards, isn't
it? It's part of our culture.
AD: It's part of our-...Yes, exactly!
NO: Mm.
AD: It came to...it came to number four. You
were always bubbling under in the Sixties, though - you were
always sort of in the top three, weren't you?
GP: Yeah, we came close, but never hit
number one.
NO: Mm.
GP: I had the same problem in the States
where I had, uh, a song called 'Only Love Can Break A Heart' -
that was number two...the number one song was a song called 'He's
A Rebel' which I wrote for The Crystals, and by the time that
fell out of number one I fell out of number two, so... (laugh)
NO: I tell you what did surprise me
about...reading about your background...was that you wrote, uh...
NO & AD: 'Rubber Ball'
NO: I didn't know that.
GP: Yes.
NO: And 'Hello Mary Lou'.
GP: Right.
NO: Yeah. I had no idea. So...so you
started, really, as a songwriter.
GP: I really wanted to start out - I was
just interested in singing...but the-
NO: Mm.
GP: -songwriting, I found, was my way into
singing - it was kind of like a side door.
NO: Mm.
GP: Because I started writing songs and, uh,
I started making the demos of the songs, and the demos got out in
front of the noses of all the producers and people. And it was
kind of a way-
AD: Because-
GP: Yeah.
AD: -you've got a very distinctive voice,
haven't you?
GP: Well, I think that's one of the things
that's...that's made me - as you put it...I mean, most people say
three decades, but when you said *four* decades-
AD: Well, sorry, but time's getting old-
GP: -I thought 'This guy is old as dirt!'
(laugh)
AD: (chuckle)
NO: Do you have a favourite of all those? I
mean '24 Hours From Tulsa' is probably the one you're most
associated with, uh, by our generation, so-
GP: I would say that song is one of the best
written, uh, for the construction of it and the ability to really
guts into it and sing 'Something Got A Hold Of My Heart'.
NO: Mmm.
GP: I think that's one of the best things.
After that was successful, I called Roger Cook - one of the
writers...
NO: Mm.
GP: He was in Nashville. And I said to him
that it was-...He didn't even know. I said 'It's number one right
now.' And I said 'Have you got anymore like that?' And he said to
me 'You only get one of those-
NO: Mm.
AD:
Yeah.
GP: -in a lifetime.' And I think he was
right.
AD: Well, I don't know, you have quite a few
of tho-...real-
GP: He meant as a writer.
AD: Yeah. But you had quite a few really
good songs then. But you're *now* recording an album with your
son!?
GP: Yes. Well, it's finished now. We-
AD: Ah-
GP: -finally did it.
AD: Oh, really?
GP: It took two and a half years.
AD: How old is he? This is Todd, is it?
GP: Todd is twenty-seven - he's my oldest
boy. And it's really been a kick to do it because we've kinda,
like, grown together on this thing.
AD: So has he gone into music production
rather than singing himself, or what?
GP: He started out being a drummer for,
like, six or seven years. Then he took...he went to keyboard -
just felt like trying it out and became terrific on keyboard,
piano...anything that you wanna play with your fingers. And a
couple o' years ago, we...He got frustrated - we didn't have a
guitar player...So he took up guitar and went right by my ability
on guitar within, about, six months. And the biggest thing is
he's a whiz on the computer, and the...the studio is
computer-driven.
AD: That's what you need now.
GP: So, he runs the whole thing and does a
great job.
NO: What sort of response do you get when
you come on the UK tours these days?
GP: (pause) 'What sort of response'?
NO: Yeah. I mean the fans. You hav-...I
mean, I get the impression you get very faithful-
GP: Oh, it's terrific. I mean, they've been
wonderful to me for an awful long time, and I...uh...What I have
to do is I have to go out there and try to do a show that's as
good or better than the one I did last time. I mean, it's-
NO: Mm.
GP: ...There's no...
AD: 'Cos in a way your popularity lasted
longer in the UK than it did in the States, didn't it?
GP: Well, I think that happened when I
started moving out of the States. After '24 Hours From Tulsa' I
found out that I love to get on airplanes, and I love to go to
different countries - I still do. My house is underneath the
flight pattern at the home airport.
AD: So you like to be twenty-four hours from
somewhere still?
GP: Yeah. Exactly.
NO: (chuckle)
GP: But I...I spread myself very, very thin
and went to a lot of different countries...I started recording in
languages and Country 'N' Western and everything, and I think
that I kind of left the States behind a little bit.
AD: Yeah, but then you also decided, didn't
you, that you weren't seeing enough of your family and
yo--...made a deliberate move to go back home?
GP: When the two oldest boys were...were
very young - they're a year apart - and, uh-
AD: Yeah. That's Todd and Chris? Yes?
GP: Right.
AD: Yeah. And you had anot-
GP: Through a tax audit, th-...they actually
proved that I wasn't home eleven months out of the year at that
time-
NO: (whistle)
GP: -and I had, like, a guilt complex-
AD: Yeah, I'll bet.
GP: -so I said 'We're gonna cut it back to
six months travelling'.
AD:
Yeah.
NO: Yeah. You've been married to your missus
a long, long time showbiz terms, that's very unusual.
GP: 'parently there's not many of us-
NO: No.
GP: -that still have a marriage like that.
It's been very, very good.
AD: Is it something like twenty-nine years
or something?
GP: Twenty-eight, I think.
AD: Twenty-eight...yes, yeah. And you had a
third child as well?
GP: David is sixteen...
AD: Yeah.
GP: ...plays Lacrosse an' Soccer and having
a ball. He doesn't-
AD: But are they all musical like you?
GP: They are, but...um...You know, it's one
of those things where if Dad is, like, the guy that does the
singing and everything I think that they were...You know, they go
into school and they say 'Let's see if you sound like' - you know
- 'Daddy' and everything, and I think it frightened them.
NO & AD: Mm.
GP: I hear that they all have excellent
voices. Todd is only singing recently - he's only started to
sing. He sounds pretty good.
AD: You'll be able to retire soon, then,
won't you? (chuckle)
GP: Yeah, we'll...we'll put him in...put him
out there!
AD: (laugh)
NO: We've had a few calls for you, actually,
from...uh...people watching the programme, including Pat from,
uh, Rose Hill in Surrey. She says 'I'm the lady who came to the
Croydon convention at the Fairfield in 1993-'
GP: Right.
NO: '-I gave you a black cat that miaowed.
I'd like to wish you love and best wishes for the future'. Do you
remember a black cat that miaowed? Given to you by Pat-
AD: Well, don't all black cat's-
GP: (awkward chuckle)
NO: He's looking blank. You do really, don't
you?
GP: I do. Yes, yeah.
NO: (chuckle)
AD: Well, hang on a minute 'cos Denise-
GP: Thanks, Pat!
NO: (laugh)
AD: Denise from Poplar in London's rung in.
She says 'My sister, Janet Rabin <spelling unknown> of Epping is Gene's biggest fan. And
it's her birthday today. She would be *ecstatic* if Gene could
wish her a Happy Birthday on today's programme. We've got tickets
for lots of his shows around the country'. So, you've got to say
'Happy Birthday, Janet'.
GP: No. It's 'Happy Birthday, Phantom'.
NO: (huff of laughter)
GP: Happy birthday. Love you. She's
terrific.
NO & AD: Ooh.
NO: That's a little bit cryptic, wasn't it?
GP: Yeah.
AD: That sounded very serious.
NO: Ah, that's worse than those 3D images.
GP: (chuckle)
NO: I'm baffled by that.
AD: Yeah, you're baffled by those. You can't
see them either, can you?
GP: Terrible. I tried everything. The only
thing I can do is...uh...some of them - probably the easier ones
- if I go cross-eyed. If I really relax my eyes and end up like
that, it's...
NO: Mm.
AD: But it's-
GP: Yeah.
NO: A man starts like that
GP: <says something but it's not clear
because it's at the same time NO is still talking>
NO: And, uh...You're gonna have to say hello
to Patricia from Falkirk in Scotland because she says 'why isn't
Gene coming to Glasgow on his tour? I've been to all his Glasgow
concerts. I'm very disappointed.'
GP: Ahhh.
NO: She's shattered.
GP: The reason being that what they wanted
this time was a forty-six day tour. And I said to the promotors
'If you wanna send me home in a box...'There's no way that I can
give away what I do every night on the show'.
NO & AD: Mm.
GP: And, so, what they're doing is the other
half of the tour comes in October.
NO: Ah.
AD: So you're doing another tour then?
GP: So... Yeah, the other half of this one.
AD: Oh crumbs.
GP: So, we're gonna be-
NO: So you'll be in Glasgow then?
GP: We'll be in Glasgow.
NO: Yeah.
GP: Yeah.
NO: Oh good. Anyway-
AD: There's a promise. That's a promise.
NO: Say 'Hello' to Patricia, will you?
GP: Hello, Patricia.
NO: Anything cryptic there?
GP: No lights on these cameras. You can't
tell whether...
NO: No, that's why we always look at the
wrong one.
GP: Ah, okay!
AD: (laugh) That's our excuse.
NO: Yes, very disappointing. Anyway, look,
thank you for coming to see us-
GP: My pleasure.
NO: -today. Good luck with the tour.
AD: Yeah, great to see you.
GP: Thanks.
NO: It's really good to meet you, yeah.